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The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell with Marc Almond in Leeds during 1977

The talented musician, a key member of the pioneering 1980s electronic music band Soft Cell, has passed away at the age of 66.

Alongside singer Marc Almond, the duo scored a worldwide hit with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is considered a classic of synth-pop.

He subsequently formed the innovative electronic act The Grid, who achieved chart success with their 1994 single the hit Swamp Thing.

Ball passed away peacefully in his sleep at his residence in London on October 22, only a short time after playing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Recent Health Challenges

At that performance, Ball appeared in a wheelchair, as he had for the last two years, after a period of health issues.

"I managed to injure myself significantly," he commented in a recent interview. "I broke spinal bones in my back and fractured about five ribs and broke my arm."

Following catching pneumonia and developing blood poisoning, he was placed in an medically-induced sleep and remained in hospital for half a year.

Nevertheless, he had been in "high spirits emotionally" over the warmer months, as he worked on a new album with Almond, called Danceteria, which is scheduled for release next year.

"He was concentrated and so happy with the latest project that we actually finished only a short time ago," said the singer in a heartfelt message.
"It's truly heartbreaking as next year was completely planned to be such an uplifting time for him, and I take some solace from the fact that he listened to the completed album and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the forefront of the synth-pop movement in the early 1980s

Tributes

Almond referred to his collaborator as "an exceptionally talented musical genius", stating: "He was the core essence of Soft Cell and I'm very proud of our body of work.

"Many thanks Dave for being an immense part of my existence and for the songs you gave me. I couldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, remembering Ball's "constant humor" and "unwavering friendship".

"Being in a partnership with someone is different from being in a group, the bond is incredibly close," he added.
"That's how it was with us. We experienced so many extraordinary, incredible, memorable experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in 2018

Early Life

Brought into the world into a one-parent family in Chester in 1959, Ball was put up for adoption when he was a year and a half of age.

He was raised in the seaside town with adoptive parents his caregivers, who altered his given name from Paul to David, together with his sibling his sister, who was also adopted.

He encountered Almond at Leeds Polytechnic in the late 70s, where they were both studying art. Fuelled by a mutual passion of a music genre, they formed Soft Cell the same year, and promptly recorded an EP.

Creative Collaboration

The duo were an distinctive combination: Ball was the reserved musician, hunched over his synthesizer, while Almond was a charismatic showman, all glitter and eye-liner; but they achieved a unique creative synergy.

Ball had developed a interest with synthesizers after watching the band Kraftwerk appear on a television science show a popular series, and started to marry moody electronic sounds to the catchy tunes Almond was composing.

Their signature song became the UK's second most popular single of the early 80s, shifting millions of units globally. Together with hits by Gary Numan, Human League and electronic acts, it helped cleared the path for the electronic music style of the 1980s.

The track was also featured on their first album, Non-Stop Erotic Cabaret, which produced two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the stand-alone single, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The duo were working on new material right up until Ball's passing

Professional Journey

Fame had its upsides. "I enjoyed being able to afford my first home, having financial security and exploring, which might seem like a beauty queen," Ball not long ago told with a publication.

But it also caused problems. "Sudden riches allowed we could purchase substances to alleviate the monotony" of media interviews and TV performances, Ball explained.

"I realize that's a cliché, but it's a truism for a valid cause, because it applies for so many musicians."

During the party-filled existence, the duo were also drifting apart, but they succeeded to create a second classic album - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They released one more LP, 1984's This Last Night In Sodom, before ending the group to concentrate on individual endeavors.

Almond went on to have a prosperous individual path, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with melodic sounds over a long-lasting partnership.

Reunions and Final Projects

Soft Cell reunited in 2001, producing the Top 40 record Cruelty Without Beauty.

After a further hiatus, they reappeared in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the large venue on 30 September, 2018.

However, they remained together, recording their fifth album, Happiness Not Included, during the pandemic restrictions.

Ball lately described the band's upcoming release as a tribute to the NYC nightlife they frequented while making their initial records.

He added that his period in hospital had influenced the group's music.

"I experienced unusual memories when I was coming and going of the hospital because I was on morphine," he explained to a music magazine.
"Our latest tracks are a electronic representation of the sounds in my mind from those days.
"Simultaneously, it's about the experiences we got up to in the 1980s."

The last versions were finished only a short time before Ball died. It is due for release in Spring 2026.

Written by

Nathaniel Ferrell

Lena Visser is an urban geographer and writer passionate about sustainable city design and public space revitalization.

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